Tonight I'd like to welcome the noted poet Heller Levinson to The Song Is... and to thank Catfish for referring him as Heller's poems are part of Resurrection of a Sunflower. Heller is the founder of Hinge Theory. This theory is " a revolutionary restructuring practice of poetic linguistics," as Howling Dog Press notes. Jared Demick adds:"Through Hinge Theory's emphasis on language's cellular nature and each poem's associative leaps, Levinson reminds us that language is rooted in the body and that it ultimately represents that body in social discourse. Relentlessly questioning how we place our words side-by-side, Levinson is causing us to wonder about the way our relationships are structured. It's a sexy politic seeking to change the space we situate our lives in, one rarely pursued since the days of Arthur Rimbaud and Aime Cesaire."
Here are the poems!
Wolf Again
I am a wolf
was a wolf
am a man to
be a wolf
again
paw to foot
to hand
on all fours
the
whole unit
body tight muscular
spine fluid
through the
woods branch
to branch
with leaf there
is no
disguise it is all
the body
in movement
four legged
wolf movement
there is
breath to that
to be a wolf
again
paw shack
flexion peel
sylvan
bedlam jostle sprays of a tired vernacular
listen
ècoute
to restore
the compromised latitudes
cindered
habitat
the
sacrificed
the
slaughtered
the
disavowed
cycling
through glades of adamantine surreptitiousness to overcome the terms of a
fossilized rebuke wherewithal chides the conniver
witticisms
aside there is only placation
a
gallimaufry compromised by lace
cancelled
libertarianism
annulled
voyeurism
resuscitant
flame groove-tongues-comfort-loops the jawline
thrones of
appetite
braided
heritage
inebriate
of plan
the
design
festers
---------------------------------------------------------------------------
Blade/Hand(y)
forest fells
wells ways to
par-take summon issue
flame flesh
flush-throughs
cutting edge
to be on the . . . cut-ting edge
[leader-ship] blade
as bloom
garden forth from hand
handi-work
hand: the hinge
enabling man to transition from the arboreal to a
bipedaling terrestrial
creature
“The tool replaced the tree as man’s chief object of
prehension: he went from gripping one
kind of thing to gripping another, both in the service of survival.”
in the spurl-juice of enduring adjacencies
rotational contours
fit formations mutual modifications
from hand this blade
in the blade this handiwork
--------------------------------------------------------------------------
in the thaw of a
hibernating pugilism
ballistic snooze
pancreatic alert
munitions emptied of reload muster canister rebuke
the asylums overrun
my rook your pawn
stifling dance halls caterwaul darkness
congenital fatigue aborts the mission off
to the autumn trees shores of ivy imperil mere skin this
sheen to bombard
rampage rune runnel boast balustrades sickly gangrene bandage
void of popsicle sing your hymns you lonely you one-of-a-kind buckshot Annie
bastard piety singed with ban breath smirch turpitude shutter-wraps a leprous callisthenic
::
where in the
throne
is
thralldom
::
I'm not sure if I've posted anything by Albert Ayler before, but here is his "Ghosts first variation" from Spiritual Unity, an album from 1964: https://www.youtube.com/watch?v=uQzJsGAHsVM
This is "Ghosts second variation," also from Spiritual Unity: https://www.youtube.com/watch?v=_gYdekQUcUU
This next video is a live version of his "Spirits Rejoice" from 1965: https://www.youtube.com/watch?v=2HShu-cIDwg
I'll conclude with his "Venus/Upper and Lower Egypt" from a 1968 performance with the Pharoah Sanders Ensemble: https://www.youtube.com/watch?v=puncMmmdsnU
This is "Ghosts second variation," also from Spiritual Unity: https://www.youtube.com/watch?v=_gYdekQUcUU
This next video is a live version of his "Spirits Rejoice" from 1965: https://www.youtube.com/watch?v=2HShu-cIDwg
I'll conclude with his "Venus/Upper and Lower Egypt" from a 1968 performance with the Pharoah Sanders Ensemble: https://www.youtube.com/watch?v=puncMmmdsnU
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