Wednesday, June 10, 2020

Catching up with Catfish McDaris. (Note: Content Warning)

Photograph taken by Ray in Manila in 1984







It's been a while since I published any of Catfish McDaris' work here, so tonight is your chance to catch up with him.  Sniper is his current main character.  Quick shows up as well tonight.  



Mount Kilimanjaro





The orange moon hung upside down

over the Giraffe Mountains of Tanzania,

Sniper gazed at the long necked beauties

he would protect these animals with all

he had, he hadn’t missed a shot in his



Entire life, point and pull the trigger, don’t

even think about aiming, the weapon no

matter what it is, will do its job, if properly



Cared for, Sniper never let the ladies get

too close they obstructed his freedom and

it was a ball and chain he repudiated



When Sniper saw poachers he shot their

rifles and pistols, to discourage hunting

out of season, he was an animal protector

of the vast Serengeti desert and forest. 





The Man That Brought a Singing 
Fat Lady and a Violin to a Gunfight



Of all that is written I only love what is written in blood. Nietzsche





Surrounded by dead guardian angels

listening to: The Mephistopheles of

Los Angeles by Marilyn Manson



Warming hands and face above a hell

fire in a 55-gallon barrel dreaming of

dancing with a senorita in Guadalajara



Palm trees figs and dates in Damascus

driving Thunderbirds through a sequoia

and zebras and swallowtails in the Mojave



Shackled by my years, gravity sucking

my energy, the sky, and ceilings piss

on my head, the walls yawn in boredom,



Nobody laughs at the ugly mirror, guns

mean noise and chaos, death should be up

close and personal with a lovely serenade.

Photograph from woodleywonderworks

 
Martha’s Recipe for Skunk




Martha Stewart had a huge basket

of multi-colored eggs, she said she’d

gathered fifty-eight in one night



I watched her on TV as she beat and

blended a cake, she used at least one

unusual word per recipe, Martha still



Looked fine, even as she aged, she was

a model and had a sleek foxy appearance,

I’d never had any sexual fantasies about her



A lady friend from Kentucky wrote on

Facebook, that a varmint had killed one

of her chickens and eaten all of her eggs



I recommended a flamethrower and bbq

sauce, someone said Martha’s cookbook

held as many recipes as Noah’s ark.

Photograph by Adam Moss
Adobe, Peyote, and a 357 on Christmas





Willie came from the nasty streets,

the Santa Fe Railroad tracks divided

the village, whitey, brownie, blackie

.

Mostly ragged folks getting by,

most of the adobes were plastered,

but some mud clay blocks were exposed

.

Willie was my primo, he grew mota, okra,

chilies, peyote, magic mushrooms, and

grapes, we hung it to dry from the vigas

.

In the lemon-yellow sun of enchantment,

a vato came by to pull a rip off, I put a 357

in his ear and offered to cancel his Xmas.



Volley ball with the moth balls I’d heard

were a deterrent, soon I had holes and

tunnels and barking squirrels everywhere.




The Three Bears



A ferocious bear jumped out of a tree onto Quick’s shoulder, he was riding Brown Hand his Comanche horse. Quick tried to sling the bear off, but its claws were sunk into his shoulders. If the bear got its teeth into his neck, that would be all she wrote. Brown Hand bucked against a big fir tree and his dog, Killer a scrawny black mutt was able to distract the bear enough, so Quick could get to his knife. He had a long wicked razor sharp blade, he slipped into the bear’s mouth before it could make an omelet of his brains. Quick cut the bear open all the way down its chest, a wolverine jumped out of its guts. It tried to rape Killer, Quick pulled his hog leg and emptied 44’s into its eyeballs. There was a creek nearby, so he could get moss and medicinal plants for a poultice for their wounds. Quick was just happy Brown Hand and Killer weren’t injured too seriously. That night they ate bear and wolverine stew. Brown Hand had some grain and wild apples. Two days later, another bear leaped from a tree, Brown Hand must’ve smelled him. She reared her front hooves high into the air and knocked the bear into a swamp. Killer and Quick looked on as a herd of alligators swarmed that bear like angry cannibal flies. In moments it was just a pile of fur and blood. A week later they made it to the Porcupine Mountains and another bear leaped from a tree. Quick, Brown Hand, and Killer were tired of bears attacking. Quick was ready to murder this bear, when the bear started talking. It said, “Please kind sir don’t kill me, I am really a beautiful woman. A witch put a spell on me, turning me into a bear. If you kiss me I can turn back into a lady and I will grant you three wishes. Plus I’ll be your sex slave forever. What do say?” Quick thought why not. He kissed the bear and waited for the transformation. The bear changed into a blonde lady with sparkling blue eyes, but she kept growing and growing. Soon she was a giant, she bent down and crushed and swallowed Brown Hand, Killer, and Quick. Then she turned into an aardvark and disappeared into the forest.

Let's finish up with some music.  I'm going to go to a different place with some Ethiopian jazz.

This is saxophonist Getachew Mekuria with the Ex in 2011: https://www.youtube.com/watch?v=lgGjfQ8CIjQ


Next is Mekuria's "Aha Gedawo": https://www.youtube.com/watch?v=XSt7bqYGWAk

This is his "Akale Wube": https://www.youtube.com/watch?v=wajUfM0OEIg

Catfish sent me some blues guitar for you to listen to as well, especially if this Ethiopian jazz is too harsh.

Christone "Kingfish" Ingram plays "Empty Promises" live.  He also has a new album out on Alligator Records.
https://www.youtube.com/watch?v=K-nTAgOMK7w&feature=youtu.be

Gary Clark, Jr. plays "This Land" here: https://www.youtube.com/watch?v=9KgNaRQ_J-c&feature=youtu.be 

Enjoy!

Sunday, June 7, 2020

Sunday Evening with Alyssa Trivett



Tonight Alyssa Trivett returns with her sharp, direct poems.  The first poem below is an excellent example.


You

And as they relayed to you,
with me in the foreground
as my jaw dropped,
are you in any pain?
You couldn't hear,
you asked my mother
to repeat,
as she did,
you screamed No...
right before
your brain shriveled
and they shoved you, somehow,
in a stretcher
like a half-melted dart
on the bullseye
in the back of a bar.
You mouthed that
you loved us
and I never saw you so lively
as much as that time.
And I still smile,
'cause I know
you know you lived it well.




Filming



I had a dream on
the way here
that the camera at the top
of this stilt contraption
came crashing down
as a cartoon anvil would.
I count my sips from
my cuppa coffee
and rig my zoom in zoom out
controller for a sport
I've only filmed once.
EZ chair attached to me,
my form of canvas
this evening.
I left my words at home,
even if they're
begging for me,
jumping on the keyboard
until that ungodly hour
arises of me pie-slapping
words into a soulless machine.
Isn't that how it always is?
As it should be.



11:42PM, Saturday the 13th


He paid for the drink but I
never let him live it down.
Smoky eyes.
It's all just drink rings
on napkins
and a conversation
floating through
these tables
like lost souls
at a pool hall after hours,
slam-dancing into things.
The evening was unwritten,
one bar after the next,
and he clutched my pinky
as always.


-------------------------------------------------------
Let's play some hectic late night jazz for this last poem.  Here is Josh Evans' "Vibe Up" at Smalls on 4/16/19:

I don't know if the couple in the last poem were out at 3 am, but the musicians in the video below were.  The second trumpet player was Roy Hargrove who would die just three months after this video was recorded.  https://www.youtube.com/watch?v=cUnbfXySq54

The first trumpet player was Giveton Gelin who performed with his quintet in the video below:  https://www.youtube.com/watch?v=cKTz1iUkcW0

I'll finish with a video of Roy Hargrove:
https://www.youtube.com/watch?v=OvHcHQ9-jdo 

Wednesday, June 3, 2020

Welcome to Gregory Luce!





This evening I'm pleased to be posting Gregory Luce's poems. The poems that he sent me truly fit the original intent of The Song Is...: to celebrate music, especially jazz but also other forms. By the way, each of tonight's poems will appear in Greg's chapbook, Riffs and Improvisations, which Kelsay Books will publish next year.


Music to It

If I could just put music to it
this feeling that drives me
through the Metro station
wanting to dance and glide
like a disembodied spirit
seen and not seen
between all these other bodies.
Or this other feeling of enclosure
in a transparent cocoon,
coiled tight, my camera eye grasping
and drawing in every image. Every
song that jumps through my earphones
from Counting Crows to Sparklehorse
to Badly Drawn Boy perfectly frames
its moment but then dissolves into the next,
and I can’t sit still, fingers and toes
tapping, shoulders swaying, I feel
my body hurtling through space
at the speed of the train, until
it shudders to a stop. I take
a deep breath as I exit the car,
walk quivering toward the exit,
one last song pulsing against
the inside of my head.


Originally published in Wordgathering, Volume 11,
Issue 4, December 2017






     photo by Filipe Dilly



Double Bass
(for H.S.)

The plucked notes of the bass
mimic my heartbeats and then
the bow draws out a long
low moan the way your hand did
drawn across my back.





The portrait of Erik Satie is by Ramon Casas, a Catalan artist.


Mystère

The ghost of Erik Satie
hovers over the keyboard
where Monk’s huge hands
reach for the infinite,
grasping at chords that seem
humanly impossible. A breeze
from Paris 1920 wafts
over the piano. Monk mops
his forehead. Somewhere
Satie is smiling.







Lush Life

It has to be Johnny Hartman
with Trane framing that
voice that flows smooth
and rich like a river
of barrel proof bourbon
rippling with McCoy’s chords,
Jimmy and Elvin’s beats
popping like ice in a glass,
and the wheel of life starts
rolling you back through
the gay places, the low
dives, finally the side porch,
sitting alone late at night,
that pint bottle at your feet
almost exhaling whiskey breath,
you running your finger
around the rim of the glass,
tracing each bead of sweat
sliding down the sides,
pressing it to your forehead
to cool the sudden flush
that starts just at the hairline,
hands trembling a little now,
so another small splash into
the glass, slivers of ice tinkling
as your hand shakes,
the lush life in this small
circle of light.

Originally published in Maryland Literary Review.






Greg has given me a lot to work with. I can even include a song from the 1990s, Counting Crows' "Mr. Jones." Don't know if it's the song on the speaker's playlist, but I'm including it anyway: https://www.youtube.com/watch?v=-oqAU5VxFWs


Ron Carter plays the song "Double Bass" from his 1997 album The Bass and I: https://www.youtube.com/watch?v=pMVSfHkbSls


Let's switch to Erik Satie's Gymnopedies: https://www.youtube.com/watch?v=b9WKC5sT9Z4


I've posted a lot of Monk here, but I don't think I've posted his "Japanese Folk Song": https://www.youtube.com/watch?v=QD1p95nyeEc&list=PLrR6QlNIqj5nsVyr8fuMYq6tTFffx12q9


I'll finish with Johnny Hartman's "Lush Life." This is the version with John Coltrane: https://www.youtube.com/watch?v=0izjSUqCcSQ


Enjoy!

Sunday, May 31, 2020

Bill Cushing's Anniversary Poems



About a year ago Leon Redbone and Dr. John, two of Bill Cushing's favorite musicians, died.  For this reason, the image of a yahrzeit candle stuck in my mind when I decided to publish Bill's poems tonight.






THE REDBONE PANTOUM

Leon decked out in black, Ray-Bans perched on
a Syrid nose, his drooping moustache surrounds
the soul patch: a musical sage
peering from beneath that Panama hat.

Leon fretted multi-tonal sounds
from each and every timeless tune
with a voice sometimes smooth, then scat,
while coaxing that acoustic guitar.

Leon, ageless as a harvest moon,
did not die so much as exit the stage,
returning to the Araby bazaar,
and though gone, he continues to shine on.


Bill Cushing


 
So Long, Dr. John

Bid farewell to New Orleans’ favored son:
after more than a six-decade run
infusing sound with flamboyant fun,

we woke up to learn that Dr. John
had folded his sheet music and was gone.
He left us music that was c’est bon

making whoopee with syncopated ease
as hands danced and flirted across keys,
taking us back in time, but now he’s

in the right place at the wrong time.
He could make voodoo blues sublime
like Mardi Gras goes on all the time.

Bill Cushing

Both poems are in Bill's chapbook Music Speaks.  So are some of the other poems you may have read at The Song Is...  You may purchase a signed copy of the chapbook from him for $20 if you email him at piscespoet@yahoo.com.  



Let's add a few songs for you tonight.  I'll start with Leon Redbone.

This performance of "Please Don't Talk About Me When I'm Gone" is from 1977: https://www.youtube.com/watch?v=FUxbInKev-o

This is Redbone's version of "Shine On Harvest Moon": https://www.youtube.com/watch?v=jGUW0uAwDyw

Here is his "Champagne Charlie": https://www.youtube.com/watch?v=pnNEXcLNUxo

And these are a few songs from Dr. John.

This version of "Right Place, Wrong Time" is from the 2012 Guitar Center's Battle of the Blues: https://www.youtube.com/watch?v=Y6RtVmc5dSE

This version of "Gris Gris" is from the 1970 Piknik Dutch Festival: https://www.youtube.com/watch?v=NfN4Bn7LWxo

I'll finish with his version of "Such a Night" from The Last Waltz: https://www.youtube.com/watch?v=SCRrXZP8b0I  

Enjoy, and see you later in the week!

Wednesday, May 27, 2020

Let's start up again with Bryn Fortey!





I knew that I was going to take a break this past fall, but I didn't realize how long it would be.  Yikes, it is now half past 2020!  Let's start up again with some poems from Bryn Fortey that he sent me a while back.  Thank you for your patience, Bryn!

THE TEAMAKER


My wife:
Concocter of culinary delights,
Knew how to tempt me
Into second helpings.

No follower of rules,
She produced her own versions
Of accepted recipes,
Making each meal an adventure.

“Thanks, love.” I would say,
Having dined on food
The god’s themselves would have savoured.

“You,” she would always reply,
In an effort to compliment me in return,
“Make the best cup of tea.”

Ten stirs to the left,
Ten stirs to the right,
Squeeze.
Just a splash of milk.
Coffee can be milky
But tea is better strong.

Now my daughter says:
“You make a great cup of tea, Dad.”
Which is nice,
But I miss you, Maddalena,

Sit, lovely girl, (if only).
Rest a while, (if only),
Let me make you a cup of tea.

Bryn Fortey



JIVING CATS


Cool cats used it
Jack Kerouac dug it
Bulee Gaillard wrote it

Bulee “Slim” Gaillard:
Onetime boxer turned mortician
Delivered bootleg rum
For the Purple Gang
In specially adapted coffins
Before the music business
Grabbed his attention

A cult hipster
With genuine musical ability
His groove juice was special
His floogie flat-footed
And McVouty his language of choice

Top jazzmen recognised his worth
Dizzy Gillespie
Charlie Parker
Stan Kenton
Among those happy to use his talents

During World War II
He piloted B-26 bombers in the Pacific
Then later turned to acting
In both films and television
Later still relocating to London
Playing the European festival circuit

Give me that jive talk, Slim:
Oreenie, oroonie, floy floy.

Bryn Fortey



 
MAN SITS ON CHAIR


Old man sits on wooden chair
Alongside mini drum hit
Brushes wait, keen to start
As records play
Enhanced or spoilt by a backing
That no-one hears but him
Since the house is terraced
Sticks would likely earn complaints
But brushes make less noise
On drum and cymbal 
Caressing both with his own rhythms
Lost in this act of added participation
Passing time, filling space
Old man sits on wooden chair
Grateful for what remains
Not all has been abandoned
To the heartless march we all endure


Bryn Fortey

Let's start with Slim Galliard's "Dunkin' Bagels": https://www.youtube.com/watch?v=ntUNRiC5-z0.

I guess his sequel was "Dunkin' Donuts."

You might be more familiar with his "Flat Foot Floogie":  https://www.youtube.com/watch?v=oLcw0pv2I0s&list=PLN4BU5Dis0C0cKRDl1OosthijrMuR4m2q

Here is Clayton Cameron's "The Brushman Sweep": https://www.youtube.com/watch?v=Odtr2tKkS6s

Good night!  Hope to see you this weekend!