Of this Momentum Song (forty-two)
_______________
Don’t play what’s there, play what’s not there.
—Miles Davis
To be near ________,
is what
here needs it
to be, an unnamed
name is only
________ when
the
mouth closes, excavating
rhythm in all
language, when
then here is again
and why we ________
is
answered atop
a silence of small
stone: the flecks
within the reflect
hold the hand
of what watches,
how or when
the
breath of our going,
_________. We come
to drink of/from. The
promise held to
how we name the
unnamed. Paused
intuition, we’ve a
nuance in our
motivated ________,
a
freeing fathom can
reinvent the mouth.
______________________
Tongue: blurred wing
song of clapping
hands. Hands:
speaking
bilingual caliber, ________
what we need
to invent, unaltered.
Organized, we hour by
the sound of it, sound-
ing out to open
doors
in incremental minutes.
Certain these angles
plagiarize shape,
_______
is familiar,
is
known then replaced
into what finds
a self-outside
the self, privileged,
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If you would like to read other poems in "Of this Momentum Song," see this link: http://www.felinoasoriano.info/published-poems-2006-to-2016.html
Let's start with something from Milestones. The first link is to the title cut, and the second is to "Dr. Jackle."
Here is his "All Blues":
I want to play two from Miles in the Sky, the album my husband was playing this morning. The first is "Black Comedy": https://www.youtube.com/watch?v=SPIb47YXEv8 The second is "Country Son": https://www.youtube.com/watch?v=ws7_krJ8SBQ
I'll finish with a live version of his "Portia," a later composition: https://www.youtube.com/watch?v=1vALF7BkM-k
Thanks for another installment, Felino. The riffs, syncopation with words is interesting--seeing the echoes, hearing the resonance. I enjoyed reading this, just letting it go...
ReplyDeleteWhat a great idea; loved reading this. Perhaps I need to send in my Miles poem, which also is based on one of his quotes.
ReplyDelete